Money Makes The " MARE " Go, Money is the " CRUELEST " form of every "EVIL " , The " MARE " was " KILLED " by the world of " LOOSE " MONEY
Money Money , You taste Like " HONEY " , But You Sound " FUNNY " .........
Well- That’s How The World Is, That’s How The world was
Writing TOO many a
things and drawing finger or pointing to too many a facts are NOT done as it
does,nt helps us about anything. However since the last few days what we have
been winessing is all the MOUTH which
has opened up after the death of Film star Sushant Rajput.
It is very hard and
very unsafe as well to comment about what led him to take whatever step tha he
has taken. However it was his DECISION
to take that and HE WAS NOT AND NEVER A MAN SO “ WILD ” AND SO “ FOOLISH ” SO “ COWARD ” TO
TAKE THAT KIND OF A DECISION.
The Film Industry
: It’s Reality Bites
The film industry has always been such. That it is such was
evident from 1930 .During that era there was a heroine who was named as Devika
Rani . She was What say Hema Malini is and has been of late and of today . Her
film with the late Ashok Kumar who happens to be the eldest of the Ganguly
Brothers, of the Kishoreda’s family were the HITS and BUMPERS of that
era, and ONE film “ ACHHYUT KANYA ”
during those days in which she had a STEAMING
HOT SCENE with Ashok Kumar opened the FLOODGATES
of the “ KISSES ” in the Indian
screen . That was the ORIGINAL stuff
that she was made of.
It would be very SAD
to know for the entire fraternity that when she was dead her body was loitering
on the roads of Bombay then and there was NO-
ONE to take care of. It was Ashok Kumar ie DADAMUNI who took care of that dead body to do the final rites of
her That is what is the REALITY of
the Indian film industry.
One might NOT
believe me when I write this but I hereby present the picture of Ashok Kumar
and Devika Rani here courtesy a link for the people to read that and know the
truth-:
This is the link.Just click the link and go to the U Tube to
see it through your eye. In those days the SOCIETY
was such that it was very very IMPOSSIBLE for anybody in the Indian
society to give that kind of a shot. Even Dadamuni could not accept those kind
of a shot to be screened on him. He plainly made it to the Producer of that
film that those kind of sots would see him thrown out of the family. However it
was Devika Rani who went ahead to convince one-and-sundry to do that kind of a
scene in the film with Ashok Kumar .It is there and then when the CONCEPT of the film in terms of “A” and
“U” came in the film industry and this film rolled into the business for over
20,000=00 during those time which could be equalivalent to Rs 2000 crores of
this era.
Actually Devika Rani during that period NEEDED a HELLUVA money
to see her through. She was passing through ONE-OF-THE-MOST-CRITICAL phase of her film and personal life. She
needed money very badly in VOLUMES
to pull her through . She took that kind of a step to do this kind of a role in
the film . She was paid just a Rupee 25=00 ONLY for the entire film during
those days which is equilivalent to about Rs 2.50 crores as of today’s money
value.
THE TRUTH IS DEVIKA
RANI AFTER THIS FILM WAS RELEASED WAS OUT OF THE FILM INDUSTRY
She later slowly was a forgotten lady after the film “ ACHHYUT KANYA ” was released and one
fine day her body was found loitering on the road There was NOBODY to take care of her during the
last two years of her life. Every relatives and everybody from the film
industry had deserted her and she resigned to her fate.
Bimal Roy : The
Doyen Of Indian Film Industry , Parched End To A “ World Class ” Career
If there was somebody who SHAPED the Indian film industry and MOULDED itself to be a STRONG “ RESERVE
BANK ” of India , outside the banking industry , it was this man who went
on to make films after films and turn them ALL-INTO-A-WORLD-BREAKING-RECORDS
for those films running into crores and lakhs of rupee during those days..
Call it Bandini, call it Madhumati which was the FIRST film in the annals of the Indian
film industry which ran into crores of rupee doing the business, call it Charulata or call it Sujata, this was the man who took the ashes
from the earth in terms of the actor and actresses and converted them into the
gold .Such was his mastery and brilliance when it came to DIRECTION-PRODUCTION.
If today we hear Lata Mangeshkar and call her the “ CONQUERER ” of the “ HEAVEN ” in terms of lending her VOICE or if it is Kishore Kumar , it is
this MAN who recognized their talent
and through his network gave them the necessary chances to get into their business and the rest is a
history.
His body was found LOITERING
in front of the Bombay talkie and the one’s who were passing by it, some even
spat on his dead body. When Dadamuni Ashok Kumar came to know this he rushed to
the spot, BANGED at everyone who did
not care for his body and took the body under his control to give it an
honourable exit for the body to leave this world.
How did the body came to the arena of the Bombay Talkie which was a production house was and still is
unknown. Whether somebody killed him and threw his body in the arena is not
known or whether he committed a suicide also is not known, but that is a REALITY of the WORLD-OF-BOLLYWOOD.
I wish to cite another example of the Film actress Vimmi.
Have you watched the film “ HUMRAAZ ”
starring rajkumar, Sunil Dutt and Vimmi . It has a song in it “ Na Sur Jhuka Kay Jeeo ” and another
one “ AYE NEEL GAGAN KE TALAY – DHARTI KA PYAAR PALE ” .
This lady was BELIEVED
to be the MOST BEAUTIFUL who was
brought in by Mr Bharat Chopra from Shimla . She was married to an Indian Air
Force Officer. When she asked the permission form her husband to accompany Mr
Chopra for her venture in the film industry her husband immediately send her a DIVORCE NOTICE and she had to forcibly
sign on it.
Believing and pinning her FAITH on Mr Chopra she came down to Bombay and het struggle
started. Humraaz was a GOLDEN JUBILEE
film and it gave a HEAP to rajkumar and Sunil Dutt but it never gave anything
as such to Vimmi. Signed by Mr Chopra to be under the banner of the Chopra’ she
had to come out of it as the Chopra’s were not fielding her in their venture’s
and it was Saira banu who was taking away all the roles from the Chopra’s.
This lady had to come out of the Chopra banner to fend for
herself and her relationship with the Chopra’s went in for a toss . She had to
make a living and she started signing films in heaps which were and which never
took off. The payment being less and the living at Bombay being high, she then
had to live in with a businessman by the name of Jain who was just using her to
make his roads inlay to the cruel business world of Bombay.
Pic
Pic Of Vimmi : Vimmi In A Scene From Film " HUMRAAZ "- Nobody To Fend For Her
She in the meantime delivered a child out of that Mr Jain.
One fine day she was seen dead with her body lying on the road. A cycle rickshaw was needed to take her body
to the burial where she was set on the pyre. Nobody from the house of the
Chopra, her family members and anybody from the film world came to her and for
her last rites. The son who she bore was
a CHAPRASI in the stable of a school
at Darjeeling That was her and his fate.
There are many and many an instances where these things and
incidents have taken place in the cruel world of the Bombay Film industry.
There has been even worst than it.The slaining of Divya Bharti, ther killing of
the Business Owner, Gulshan Kumar of the T- Series and Industry , the incidents where the underworld would pass on
the ultimatums and the directions for the personalities of the film industry to
DANCE-TO-THE-TUNES of those are even
worst to cite. Better I do not do it.
The
Change-In-Scenario of the Indian Film industry- ::
The Indian film industry had CHANGED and it has changed immediately after the release of the
film “ ARADHANA ” . One such film like Aradhana and ONE such TOTAL “ CONQUEST ”
of the industry and of the world of music by Rajesh Khanna and Kishore Kumar
completely swept the entire career of the film world be it the Actor or the
actresses . It from there became a ONE-MAN-SHOW
in Rajesh Khanna and ONE-MAN-SINGER
in " Kishore Kumar ".
Every DAMN scenario’s were then and since then were
produced only by keeping Kishoreda’s voice in the MAIN FRAME and the heroes and the heroine’s were attached to the
films with his MASTER’S voice being
the COG-IN-THE-WHEEL. It is here
that the associations of the actor-actresses started taking place to save their
career.
Every new heroines
that entered into the films from 1969 even Hema Malini included to anybody thereafter
had to be associated either with some heroes or an actor or with a banner to
remain in the saddle . It was on the PRETEXT that if they remained with these atleast they would get to be paid and get the films as well. The ONLY EXCEPTION
was Rajesh Khanna till his film ROTI was released as after that film ROTI the " Bachchan Brand ROTIS " were selling in the WORLD of HINDI cinema. and Kishore Kumar who was
RULING the WORLD of the FILMS with the FLICK of his FINGER .
It is here that the awards etc took a new turn with
Kishoreda sending a letter to the FILMFARE
jury that HE WAS NOT INTERESTED IN ANY
AWARD . The awards since then were a PARTIALITY and many who really deserved the awards did not get that because the SPONSORS of the programmes for these
awards had their say . Some who got it were the MOST-UNDESERVING one’s and these award later on became the source of the actor or an actress
getting a big-share or a raw deal out of it. The CLASSIC eaxples were the IN-FIGHT-OF-A-SILENT-ONE
between Shabana Azmi and the late Smita Patil . Though NOT very VOCAL and VOCIFEROUS it was Shabana Azmi who once
in an interview has said that even she being a better actress than smita, she
hardly gets any awards .This is where the awards took the centre stage to
determine the WORTH and CREDIT of an actress in terms of the
emoluments that she would be paid.
PAIRS THAT TOOK THE CENTRE STAGE : A CASE OF " ONE-NIGHT " AFFAIR
To remain in the fray and to be in the HUNT, PURPOSELY most of the heroine’s preferred to be under the
shadow of any actor and prefer to be under the banners of the big houses and
these in many cases went to the extent of being EXPLOITED.
There use to be many stories which would be covered up by the FILMY-JOURNALIST then who would be paid
heavily to do it . That use to be the real scenario . HOW WOULD YOU GET TO KNOW THE REAL STORY BEHIND ANYTHING IN THAT CASE-
IT WAS THEN EVEN AND IT IS NOW EVEN . Getting the TRUE report of any crucifying
event of the film industry is like plotting a GRAPH on the GRAPH SHEET without the pair of the eye .
The Standard of
the " films ", it’s " elements " and Industry.
Ever since the Gulshan Kumar murder took place in 1995 the
Film Industry of Bombay has seen a complete take over by the underworld and it
is controlled by the underworld. In and by any mean it is the UNDERWORLD that decided everything about the films. And it’s
business.
It is controlled from either Dubai or Sharjah or any place
at the Petro-Dollars nation and it is controlled by the one’s who are
responsible for the Bombay Blast case of 1992.
Some from the particular community have been made the “ KING ” of the trade and the industry
and preferences has been given by those underworld to these one’s from the
particular community to RULE and RISE. After all the money from the
underworld are POURED on these and
these infact are the source of RETURN-WITH-DIVIDENDS
to those who pour in their money on these actors and actresses. Obviously even
today the conditions of the actresses the same . They have to loink themselves
with the unewanted things to remain in the fray with their mouth sealed and
tight lipped . If these actresses get and move up they make a place for
themselves but incase if they wish to act and perform with the uprising one’s
or the one’s who are strugglers but have it in them, the ABOVE ORDERS and it’s dictates does not allows them to do so. The
actresses and the one’s who are linked with these categories are forced to move
away and we see at times a Sushant
Rajput coming in out for the news.
Ingact the FILM industry and it’s standard have DETERIORATED. A Shah Rukh Kjhan is not 0.00000001% of Dilip Kumar even after
spending 28 years in film industry yet
he is considered and termed as a
“ KING ” . take any heroines- any name . Compare them with Nutan or
Waheeda Rehman , they are not even 0.0000000000000001%
of them in any case , yet they are considered to be a HOT-CAKE selling on the Bond Street . Take any SINGER be it any
body- they are not even BORN till
now to outclass Lata Mangeshkar, Mohammad Rafi or even Kishore Kumar, but these
are the ONE’S who are CONSIDERED as
the RESERVE BANK of MUSIC INDUSTRY.
With these so called the SET one’s who are simple and simply the DRAINS- GLUTTERING- DIRTS who rake in the MOOLAHS after MOOLAHS
where do you think that the REAL one’s
will find a place in the industry to show case their talents. Take the case of
any MUSIC-COMPOSER, can anybody be
compared to R D Burman for the MODERNITY
or to say Salil Choudhury for MELODIOUS music compose . Yet they are
the one’s who are on the CLOUD of
all the CLOUDS to rule the wave. If
you have this skind of a scenario obviously FRUSTRATIONS and SUICIDE
taking steps will be more in case if you find yourself HUNG in a position from where you cannot come out of the situation.
The world of film is VERY
CRUEL. Nobody supports anybody without a cause and FOR NOTHING. There are many COMPROMISES
that needs to be done to remain in this world and incase after all the years of
very hard work, if you find it very hard to maintain yourself you will end
losing everything every BLESSED
things that exists in this world.
IT IS A BIG MAN’S WORLD AND
IT IS THE WORLD WHERE MONEY COUNTS FOR EVERYTHING
There in the world of the FILMS everything starts in the NIGHT
to see an end by the time even when the SUN does not rises. For that is the
world. In that world if you have a STRONG
FATHER or a GOD-FATHER you
somehow will exist with the BURNS
and the FIRE setting you ablaze
slowly for you to die. If you are lucky enough you would survive if NOT then
the time will decide where you ought to land. In this manner I would say Sharmila
Tagore, and Neetu Singh of that era , and to a LARGE extent, DEEPIKA PADUKONE of this era are REALLY LUCKY – the other’s
are just maintaining the balance by their WILLPOWER
but how long is the answer.
A lot of heroine’s and their life were shattered because they
were first USED and then ABUSED by the one’s who made them to
stick to their ILKS and glued them
for their success . Once done away and with these ladies were shown the doors.
Vice-versa also has been many a case and for some REASON for the sake of HONOUR
and RESPECT to them I would NOT like
to name them .
This is the REAL
and the ACTUAL world which we call
it the BOMBAY FILM WORLD .Had NOT it been Kishore Kumar the way Leena
Chandravarkar fled from Goa and landed exactly at Kishoreda’s house, she would
have been KILLED by the BANDODKAR family of Goa or maybe the
kakodkar family . That is the REALITY that the Bombay film world
offers .
NOTHING SO
SHOCKING TO ME IF I SAW SHUSHANT RAJPUT DOING THAT WHICH HE SHOULD’NT
Mouths are ALWAYS there
to corner the GLORY only for REMAINING in the LIMELIGHT . Be it Bachchan, be it anybody.
Such is the PRECARIOUS
condition of the THESPIAN- Mr Dilip Kumar . Has ANYBODY bothered to pay him a RESPECTFUL visit. But there will be MILLIONS
of MOUTH to take the LIMELIGHT
for remaining in the SADDLE after he
breathes his last.
Sorry Sushant- You had CHOSEN
a WICKED WORLD to be a STAR in that WORLD. That WORLD GLITTERS
without ANY LIGHT in it . The LIGHT we see are the one’s which are FAKE …… better I do not write about it
as that would not GIVE any PEACE to anybody…… ?????? . !!!!!!
THE...OK !!.. ???????.... let me NOT write that - as there is a saying - THE " TRUTHFUL " and BEAUTIFUL LOOKING " WHITE " GOOSE WHICH ONE BELIEVED IN LAYING THE EVER BEAUTIFUL " GOLDEN EGGS " GOT KILLED .......
YOU GET KILLED IF YOU WRITE THE "TRUTH" IN TODAY'S WORLD
YOU GET KILLED IF YOU WRITE THE "TRUTH" IN TODAY'S WORLD
Stay HAPPY where you are in and with whom you are in NOW..........
The ONLY EPITABH that WE CAN WRITE IS – :: MAY YOUR SOUL REST
IN " PEACE " …. !!!!!.....
Rgds
Pic
Shyamal Bhattacharjee
Mr Shyamal Bhattacharjee,
the author was born at West Chirimiri Colliery
at District Surguja,
Chattisgarh on July 6th 1959
He received his early education at Carmel Convent School
Bishrampur and later at Christ Church Boys' Higher
Secondary School at Jabalpur. He later joined Hislop College at Nagpur and completed his
graduation in Science and he also added a degree in B A thereafter. He joined
the HITAVADA, a leading dailies of Central India at Nagpur as
a Sub-Editor ( Sports )
but gave up to complete his MBA in 1984 He thereafter added a Diploma In Export Management.
He has authored THREE
books namely Notable Quotes and Noble
Thought published by Pustak Mahal in 2001 Indian Cricket : Faces That Changed It
published by Manas Publications in 2009 and Essential
Of Office Management published by NBCA, Kolkatta in
2012. He has a experience of about 35 years
in Marketing .
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