The Letter Writing Skill Of Kishoreda : " ORDAINED " " SUBSTANTIAL " and " ARTICULATE "

Pic- :The Letter That Kishoreda Wrote To Madam Lata Mangeshkar  

The Letter Writing Skill Of Kishoreda

It is said that  A SIMPLE BUT AN ILLUSTRATIVE WRITING CAN WARD OFF YOUR LAKHS OF PROBLEMS and that through your expressions of the words YOU CAN  CONNECT YOURSELF TO THE “ DIVINITY ” .  A or an individual who can express himself in the most simple manner putting his contents in the most prescribe- able manner does manages to get what it seems impossible in the time of the word go.

 1 ) . https://youtu.be/MLnPKGbnpIE

2 ) . https://youtu.be/1n6k1CZ-EZs Illustration of Rajesh Khanna acting on the song

Link - : Song Of Kishoreda :: Dakiya Daak Laya , Dakiya Daak Laya ,Film : Palkon Ki Chhaon Mai , 1977

U Tube - :: Song :: Dakiya Daak Laaya , Daakiya Daak Laaya : Rajesh Khanna , Kishore Kumar 

Some people are born with the greatest habit of writing writing so beautifully to get their desire fulfilled but are otherwise. They FOOL the others through their words on the paper, the CLASS example is CHINA when it comes to it. There are others who  express themselves plainly without any  explicits contained and do exactly what they write and what they mean in the letter.

Pics- : The Drawing Of Mr Kishore Kumar To Madam Lata Mangeshkar in a letter 

Writing is an ART and carries the essence which showers to FRAGRANCE of the  the HEART that conveys or that would convey a millions of EXPRESSION and THOUGHTS within those FEW lines and those who are an expert in expressing themselves within those few lines do carry an OCEAN of WEALTH and HAPPINESS in terms of the JOY that they get out of the same. One such human being was Abhas Kumar Ganguly who the world knows him as Kishoreda.

Kishoreda had that HABIT. He and his habits were-:

1). To speak ONLY to those people with whom he had a kind of a BONDING-NEVER-TO-BREAK kind of a relation.

2 ). Kishoreda would open up and speak only to them whom he would BELIEVE that they are WORTH speaking.

3 ) . Kishoreda NEVER would BREAK up his relation whom he BELIEVED that they were his FINGERS of his PALM.

4 ) . Kishoreda would express  himself to them whom he could NOT speak for some reason through his letters to keep on the FLOAT his well-maintained relations.

This man had fallen into a trap of the time at one stage of his life that he had to write them two letters to express himself and his traps that he was webbed and caught into and one each of those letters were to the GREAT of all the GREAT female singer Latadi who the world knows as LATA MANGESHKAR and the other one was to the one who was ONE of the GREATEST DIRECTOR-PRODUCER of the WORLD and the FIRST ever OSCAR WINNER from India, Mr Satyajit Ray.

The Letter of EXPRESSION of Mr Kishore Kumar-:

Look into the letter .  This one is the first I put here into and onto the readers. Written in Hindi to Madam Lata Mangeshkar it is PLAIN, SIMPLE and it expresses the HELP and the LATERAL AID that he wishes to derive and extract out of Madam Lata . He vividly and candidly expresses her about the problem that he was facing for which he would not be able to record a song with the gracious lady and was asking for REFUGE in terms of HELP from the lady . He further explain about what could be the best for both of them only if the lady concerned had a SYMPETHATIC view about his problems that he was facing and that how in the later time he could make it out to cover the time loss that was going to happen now.

To make the matter more simple he  explained why he could not talk about the matter to her  when the ALL-OF-A-SUDDEN-SITUATION occurred  and that  what could be done by him and by the duo when it would come to make the amends.

A simple letter that this GREAT singer had the style and the method to write and to extract out the  GREATEST aid or the SYMPATHY that he could get it out of the letter. Obviously when someone write this kind of a letter  with such an AUSTERITY and FRIVOLITY the outcome is always in FAVOUR of the one who writes that.

Kishoreda pens “ ONE ” to Mr Satyajit Ray :

Pic- : The Letter of Kishoreda To Mr Satyajit Ray

Another style of expressing to someone when one is again trapped in the webs of the time that engulfs the work or the job that needs to be expedited yet it cannot be done within the time frame but that could be worked out in a simultaneous method is  hereby put as an example through a letter written by this man to Mr Satyajit Ray.
He once had written a letter to Mr Satyajit Ray on November 1963 in which he had expressed his unavailability to come don to Mumbai for recording for some songs that were to be picturised for a film which Mr ray was directing. His mother was unwell and he had implicitly explained why he would not be able to come to Kolkatta for the same. He cited as main reasons for not being over there and he also put the state of his mother's health for not being there.
That simple but a very heart touching neat letter had it's impact on Mr Ray .That indicates and proves HOW VERY NEAT AND A PLAIN - PROFESSIONAL MAN WAS KISHORE KUMAR.

Pic- : Times Of India dated October 14th 1987 crying the death of Mr Kishore Kumar 

One could  plainly visualize the POSITIVE effect that the letter would cause and bring out an amicable solution for both to get ahead with their jobs that needs to be expedited.

A lot of MOUTH would speak SO-MUCH about this MAGNANIMOUS DEPARTED SOUL when he was alive. However that GREAT singer would give a DAMN to the same. People are realized, remembered and RECOGNISED by TWO manner and by TWO way-:

1 ). First- the way they perform their duty and leave an incredible mark as the foot prints for the others to follow and

2 ). The way they approach the others through their COMMUNICATION to express themselves and HELP easing out the problems of the OTHERS mixing it with them to make the things move ahead and complete the job enjoying the company and the aid of each other’s in the job.

Those two letters expresses HOW WOULD IT HAVE BEEN SO EASY TO WORK WITH Mr KISHORE KUMAR and none other than Madam Lata Mangeshkar or Madam Asha Bhosle can describe that .

This man for all the REASON is the “ BHARAT RATNA ”  and deserves every BIT of that,  which I do not think that ANY GOVERNMENT would confer it to him the reasons that would defy every logic for not conferring it to him . . Ditto for that GREAT Janab Mohammed Rafi Sahab and ofcourse ASHA TAI who we know as Madam Asha Bhonsle

As this subject relates to the letters ie a mean of communication I put that song for the viewers to listen it That was for the late Mr Rajesh Khanna but for the people and especially for all the DAKIAS' of that era who would sing this song to deliver the letter – an INSTRUMENT which CONNECT the TWO SOUL and the TWO HEART.

Coming back to the letters. The first one to Latadi was in a FRIVOLOUS mood only to ease her problems rather more of his  fully knowing that DIVINE as she is- she also is a BUSY entity together and not to add on to her problems. That letter simply illustrates the way that GREAT MAN worked in TANDEM with his PEERLESS colleagues easing the matter to become so very SMOOTH to work with.

The next one was  a  letter to a MAN who was a WORLD-FAMOUS personality when it boiled to work and that too in a pensive way as Mr Satyajit Ray was a man who was very PENSIVE in his thoughts. SOFTNESS coupled with PENSIVENESS inviting him to ease out the matter to make the things simple for the work to flow easy is what the letter to Mr Satyajit Ray illustrates and that was the HALLMARK of that GREAT man who the WORLD would refer him a “ PAGAL” ie the CRAZY CHUM .

SOME “ CRAZINESS ” AT LAST LEADS TO CHEERFULNESS AND HAPPINESS- THE WORLD DOESN’T KNOWS IT

That is it and that sums up WHAT Mr Kishoreda was when it boiled that to plain BUSINESS and his PROFICIENCY and PROFESSIONALISM to connect himself with the people  > GREAT

Regards

Thanks

Pic

Shyamal Bhattacharjee

Mr Shyamal Bhattacharjee, the author was born at West Chirimiri Colliery at District Surguja, Chattisgarh on July 6th 1959 He received his early education at Carmel Convent School Bishrampur and later at Christ Church Boys' Higher Secondary School at Jabalpur. He later joined Hislop College at Nagpur and completed his graduation in Science and he also added a degree in    B A thereafter. He joined the HITAVADA, a leading dailies of Central India at Nagpur as a      Sub-Editor ( Sports ) but gave up to complete his MBA in 1984 He thereafter added a Diploma In Export Management. He has authored THREE books namely Notable Quotes and Noble Thought published by Pustak Mahal in 2001 Indian Cricket : Faces That Changed It  published by Manas Publications in 2009 and Essential Of Office Management published by NBCA, Kolkatta  in 2012. He has a experience of about 35 years in Marketing .

Signature Of Shyamal Bhattacharjee