Pic - : The Poster Of Film Anand
March 12th
2021 : Golden Jubilee of That Film “
ANAND ” :: “ JOY ” Flowed Through
Those “ TEARS ”
KAHIN DOOOR JAB DIN DHAL JAYE ,
SAANJH KI DULHAN BADAN CHOORAYE, CHUPPKAY SE AAYE ………
https://youtu.be/ZK_yKvusEVU
Pic - : U Tube Of The Song " Kahin Dooor Jub Din Dhal Jaye "
The problem with the life is NIETHER THE TIME COMES BACK ,
NOR THE BEAUTY OF THAT DECORATED FACE OF THE “ BRIDE ” COMES BACK TO IT’S
ORIGINALITY …….
https://youtu.be/hdX_sQr19Yo
Pic - : U Tube Of The Song " Naa Jiya Lage Naaa, Teray Bin " ....
It was March 12th 1971 when this film ANAND which
was directed by and produced by Mr Hrishikesh Mukherjee was put into the market
place of the Indian CINEMA and GOODNESS….. OH !!!!! , it was full of BADAN
CHOORAYE which means it STOLE all the IMAGINATION that was there inside the
BODY and ofcourse not by the means of CHOOPKAY SAY AAYE,……… ie , not by any means of robbery or by any
means of THIEF/THIEVES.
https://youtu.be/BNQVe70noWk
Pic - :: The U-Tube Of The Song NAA JIYA LAGEY NAA in " BENGALI " By Latadi
Today it is ABSOLUTE the 50th years of the
release of that film which is in the HEART of every Indian who saw that movie
and if any by any means has NOT seen
that then he MISSED seeing the HEAVEN here on this earth .
Pic - : Amitabh Bachchan , Sumita Sanyal and rajesh Khanna in a scene from this film
Anything of this movie , which had the GREAT Gulzar to do
with and everything of thois movie, the characters who played different roles,
the MUSIC the SONGS and ofcourse the one who wrote the songs for this movie, Mr
YOGESH …….. in one word if that could be termed or written it couold be the word - : “ OSTENTATIOUS
” …… which according to the Oxford dictionary means - in an attempt to make other people notice and admire you:
A simple SOCIAL movie made for the common man with a
common idea for the for the common life that the people of those era lived,
this was a movie that was so uncommon to say that THESE KIND OF A MOVIE
WILL NEVER BE MADE AT ALL FOR MANY A GENERATION TO COME.
What a LUCK that the one’s who were living then,
maybe establishing themselves then, or those who were moving up in the ladder
of the age then, might have been to watch this one and what a ESSENSE of a
CLASS that is involved with life might have been the education that they
learned from this movie where THERE WAS NO “ HEROINE ” AT ALL IN THIS MOVIE BUT THE MOVIE MADE EVERYONE TO
FEEL THAT THERE WAS ONE AND WHAT A STELLAR ROLE BY RAJESH KHANNA AND AMITABH
BACHCHAN.
This movie did put Rajesh Khanna , the HERO of this
movie to such a place that NOBODY can ever touch him when it would come to TERM
as the SUPER-STAR of the Indian movie. The Indian Hindi CINEMA has produced
only ONE superstar and that was Rajesh Khanna and this was the movie that
produced that. Also this movie again was a ind of some steps that was created for Amitabh
Bachchan who could be said that today he walks on those steps, everyday , to go
to the HEAVEN, walks in the gardens of the Lords over there , enjoys the
minutes and then strolls back to
the place here that belongs to him. FOR
THAT WAS THE CHANGE OF THE “ FORTUNE ” OF THE TWO STARS THAT I HAVE MENTIONED HERE .
Historical background of this movie-:
In 1968 there was a film Padoan released .That film
actually is the YARD or the backyard of the Indian and Hindi film and it’s
history of producing films with a simple social etho and the essence that comes
out from tjher same – it is all about the ACTING of the highest order and the casting
of the characters to perform so brilliantly even after being so ordinary to
perform that.
https://youtu.be/vdoMF0qwtAQ
Pic- : The Entire Film Anand
That film had Kishore Kumar Ganguly, ie , Kishoreda
and Mehmood to do that, and Padosan was
a BLOCKBUSTER of that era in the annals of the Indian film history.
PADOSAN WAS THE FIRST INDIAN FILM THAT
REACHED TO A NEAR ABOUT OF A CRORE OF COLLECTION IN THAT ERA AND TIME.
It did not cross the ONE CRORE MARK but it crossed the eighty five lakhs of the mark
as a collection during that time which in today world by the time of 2019 would
be about 60 crores of the total collection .If in 2019, that amount of about 85
lakhs is converted then the amount would be about 60 crores and that is what
the film Padosan collected from the box office.That was the BUMPER of that film.
I would say about the film ANAND at last about it’s business but now back to the
history. The film Padosan saw Kishoreda and Mehmood in the bet of the ever best
of light in terms of the acting that they produced in that film which was
completely “ SERIOUSLY-HILARIOUS” which Kishoreda did that, and “ OUTSTANDINGLY
– HILARIOUS ” which Mehmood performed while exhibiting that role.
It was that Mr Hrishikesh Mukherjee who had these
two stars in his eye for this film Anand. The seriousness by which Amitabh Bachchan
did and portayed his character in that film and the effevescene that Rajesh
Khanna displayed in that movie were the character that Hrishikesh Mukherjee had
it in his eye to offer it to Kishoreda and Mehmood. The movie would revolve around the two were his idea.
Hrishikesh
Mukherjee and his annoyance throws Kishoreda out of the film and role
It was that Kishoreda just DID NOT LIKE to mingle
with anybody after the recording of his songs or even after the shoot that he
would do for any roles in the films. The
only exceptions were his family members especially Ashok Kumar, Anoop Kumar,
and some important members of his family. The others who were granted that
HONOUR were madam lata mangeshkar, Asha Bhosle, the Burman’s Dev Anand, and
Khemchand Prakash , ofcourse NOT to forget the GREAT Mohammed rafi. No other
could enter his house.
Infcat his security, Bahadur the Gorkha from Nepal
was told by HIM- INKE SIVA KOI GHAR PAR
PAIR NAHI DHAREGA. Ie , except these few NOBODY SHOULD BE ALLOWED TO ENTER THE
HOUSE.
Hrishikesh Mukherjee for some reason had seeked the
permission to meet him at his house which he did and one fine moment, he
entered the gate of Kishorda’s house only to be thrown out by the Bahadur
Gurkha. This infuriated Mr Mukherjee to such a hilt that he THREW both
Kishoreda and Mehmood out and he cast Rajesh Khanna and Amitabh bachchan as the
cast for that film. THE REST IS
A HISTORY.
Anand : The “ SEED ” OF “ HISTORICAL” SUCCESS AND “
PRUDENCY ” For AMITABH
Absolutely a FAILURE for about two years from 1968
when Amitabh Bachchan made his debut in the Hindi film, to 1971 when this film
was released and again a SUPER FAILURE from 1971 to 1974 when the Film ZANZEER was released, Amitabh
Bachchan infact got his DISEASE of the CANCER-FAILURE completely and absolutely
CURED after the release of the film Anand
if that is what is to be described .
This film infact portrayed the DEEP-INTENSE- EMOTION
of Amitabh and the COOL-CLASSIC-ANGUISH that had the VOLCANO that could explode
to KILL everyone without a WEAPON being used , as a TREASUE deep within his
HEART as an ACTOR and that he actually revelaed it in Zanjeer which gave him a
SOBRIQUET “ THE-ANGRY-YOUNG-MAN
” of the Indian film industry .
His ONE dialogue in this MOVIE - :
“ yahan to marmay ke liye kuch bhi zindagi hai nahin aur ek aur paida
hoh gaya hai ”
That dialogue, the way Amitabh delivered it in that
movie was the FIRST indication about the OCEAN that this man had it in him to
be a CLASS of a star and a HERO of the world of Hindi movie.
Those eye which were directing this film vould see
that in Amitabh just like the eye which ses a GLASS and asserts that the glass
is a DIAMOND. Hrishikesh Mukherjee was the FIRST one to see that and Prakash
Mehra was the FIRST one to use that in Zanzeer, and after the release of the
film Roti which featured Rajesh Khanna and it’s success the Indian film
industry then got another STAR of the HIHEST CLASS in Amitabh Bachchan.
The Songs In The Film Anand-:
This movie has Mr Salil Choudhury as the Music
Director. The LESS said and sescribed
about him, the BETTER . WORDS ought NOT to be WASTED by PRAISING someone WHO DOES NOT REQUIRES ANY PRAISE and there
are some who fall in tjose category. Pele, Dhyanchand, Mohammed Ali, Rod Laver
, Osian Bolt, Michael Phelp fall in tose category. Lata Mangeshkar, Kishore
Kumar, Mohammed Rafi, Asha Bhosle fall in that category. OF COURSE SALILDA TOO FALLS IN THAT
CATEGORY.
When Yogesh brought his lyrics to showcase it to Hrishikeshda,
he made a JOKE of him. He just said- YOU KNOW RAJESH KHANNA IS THE HERO OF THIS
FILM. What are you BRINGING in for me to cast on HIM…… SAPNE SUNHARAY SAPNAY,
KUCH HANSTAY, KUCH GUM KAY, MERAY YAADON KE SAAYE CHURAYE What are you writing
man . You know who is Rajesh Khanna …..
The LITERATURE MIND of Salilda was listening to it.
He took that piece of paper from Hrishikeshda and read it. He could UNDERSTAND
the DEEP-INTENSE-MEANING that connects the RELATIONSHIP of a HUMAN BEING not
connected in any manner to anybody but that gets connected to say about the
last EIGHT years of relationship of all
the previous birth, that these kind of
WORDS can get those connected.
He discussed this matter with singer Mukesh, and the
song was rehearsed. IT WAS A FITTING SONG with a FITTING ESSENSE that Mukesh
sang to fit it into Rajesh Khanna …..
Aur Bhi Hai Kya asked Salilda to Yogesh and he then
gave that paper in which he had scripted…..
“ KAHIN DOOOOR JAB DIN DHAL JAYE , SAANJH KI DULHAN
BADAN CHOORAEY ”…..
Salilda again
rehearsed it with Mukesh. The late singer Mukesh had heard this song being sung
in a Bengali film in Bengali by Kishoreda. He sang it for Mr Uttam Kumar for a
being opposite Tanuja in Bengali and here it was to be screened on Rajesh
Khanna the SUPER STAR of the Hindi film in Hindi.
Mukesh sang it for a rehearse and that was THAT . IT
WAS AND IT IS STILL A CLASSIC SONG OF MANY A SONG IN HINDI ………
Specialty of the SONGS in the film Anand-:
The musical score and songs were composed by Salil
Chowdhary. The lyrics were written by Gulzar and Yogesh.
Gulzar wrote the poem " Maut Tu Ek Kavita Hai ", which is narrated by
Amitabh Bachchan.
Before confirming Chowdhary for songs, Mukherjee
approached Lata Mangeshkar to
get the songs composed, as she had already worked as a music director in Marathi films under the pseudonym
of " Anandghan ". She, however, politely refused the offer
and decided to sing the songs in the film rather than composing them
Every song in this film scripted and written by
Yogesh who was making his foray as a lyrist in the world of Hindi film and
cinema, HAS A DEEP and a INTENSE meaning that connect the LIFE of a common man
to the REALITY that the LIFE serves him …….
The WORDS of every song, connects the LIFE with the relationship that
it possesses or it BUILDS one . Such are the WORDING, EACXH and EVERY song that
are there in tjhis movie.
One such line is , ok ONE SUCH PARA IS-:
“ DIL JANAY, MERAY SAARAY , BHED YEH GEHRAY,
HOH GAYE SACCHH , MERAY
SAPNE SUNHAIRAY……
YEH MERAY SAPNE, HAI
MERAY APNAY,
MUJHSAE JUDAA NA HONGAY,
INKE YE SAYE ” ………
There is one more which I write here .It needs
SUPERB knowledge of Hindi and it’s sense to understand that - :
“ KAHIN TOH DIL YEH,
KABHIE MIL NAHIN PATAY,
KAHIN SE NIKAL AAYE,
JANAMO KE NATAY
HAI MEETHI ULJHAN,
BAIREE APNAA MUN,
APNAY HI HOKAY , DE YEH
DARD PARAYE ”………
These songs and every words and every song in this
film Anand are the real deep value of life and the deep meaning that every song
has is the head which can understand Hindi and it’s literature so very fluently
can only understand it . .Much of the credit goes to Gulzar to have contributed
the literature of Anand in that manner and so much of the credit goes to Mr Yogesh, and Salilda for
completing the rendition of the songs in this movie which is simply unparralled
in the annals of the Indian film history.
Kishoreda And Mohammed Rafi Not Contributing To The Film Anand-:
For the RECORD and for the UNBELIEVABLE history that
one could ever believe both the singer Kishoreda and Rafi Sahab did not lend
their voice for this movie.
THIS MOVIE THUS SET A NEW RECORD IN THE
ANNALS OF THE INDIAN FILM THAT EITHER OF THE TWO NAMES THAT I HAVE MENTIONED
HERE DID NOT LEND THEIR VOICE TO THIS MOVIE .
Anand thus became the FIRST movie in the annals of
the Indian film history to NOT avail the facility of the voice of the
two singer that I have named here.
The reason for Kishoreda not to sing or take any
interest to sing in this movie was the music director Mr Salil Chowdhury .The
CLASS of the notes of music that Mr Salil Chowdhury would produce and the
SWINGS that it would possess, HE NEVER
BELIEVED AT ANY POINT OF HIS TIME THAT KISHORE KUMAR WAS A SINGER AT ALL.
He simply HATED the idea to believe that Kishorda
was a SINGER at all. He would whenever he composed a song or rendered his effort to put
the music into it , to compose those
songs with Kishoreda, he would make the LIFE a HELL for Kishoreda to PRECISE
the song to PERFECTION by rehearsing it many a times and rerording it many a
times. Till the movie Anand Kishoreda would work that hard for every song that
he did it with Salilda.
However for this movie he had MADE UP HIS MIN- NO MORE TO DO WITH SALILDA
However came ANNADATA in 1971-72 and MERAY APNE in
1971-72 the two songs, “ GUJAR JAYE DIN-DIN-DIN ” written by Mr Yogesh who
wrote all the sonf in and for the film Anand and KOI HOTAH JISKO APNA, HUM APNA
KEH LETAY YARROO … composed by Salilda CHANGED his MIND for Kishoreda for
ever,………That is how the “
METAMORPHOSIS ” in terms of
the THOUGHT for Kishoreda came into the mind of Salilda ……..This film Anand and
the no usegae of Kishoreda infact took Kishoreda to such a height of singing
and as a singer that is very HARD to describe.
HOWEVER- Mr MUKESH CHANDRA MATHUR WON THE “ FILMFARE
” AWARD AND THE “ NATIONAL AWARD ” FOR
THAT SONG ….. KAHIN DOOOOR JAB DIN DHAL JAYE…..and that was the CLASSIC story
of the song and the film.
Story Of The Film
Anand-:
I would NOT like to write a HEAP about the
story.People have seen that, however the memory being very short, I would like
to narrate the gist in short and it is here-:
Bhaskar, an oncologist, treats the
poor for no charge, but is often disheartened by the fact that he cannot cure
all the ailments in the world. He becomes pessimistic after seeing the
suffering, illness and poverty all around him. He is straightforward and won't
treat the imaginary ailments of the rich. His friend, Dr. Kulkarni, follows a
slightly different path. He treats the imaginary illnesses of the rich and uses
that money to treat the poor.
One day, Kulkarni introduces Bhaskar to
Anand, who has lymphosarcoma of
the intestine, a rare type of cancer. Anand has a cheerful nature and despite
knowing the truth that he is not going to survive for more than six months, he
maintains a nonchalant demeanor and always tries to make everyone around him
happy. His cheerful and vibrant nature soothes Bhaskar, who has a contrasting
nature and they become good friends. Anand has the rare quality of attracting
people and befriending them. In one of such encounter, he makes Isa Bhai, a
theater actor, his friend. They enjoy each other's company and create an
emotional bond.
Anand's condition gradually deteriorates, but
he does not want to spend his remaining days in a hospital bed; he, instead,
roams freely and helps everyone. He discovers that Bhaskar has strong feelings
for Renu, whom he had treated previously for pneumonia. He helps
Bhaskar express his love and convinces Renu's mother to bless their marriage.
He tells Bhaskar that everyone should remember him as a lively person and not
as a cancer patient. His end comes and he dies amongst his friends and everyone
remembers him as a vibrant and lively person. Bhaskar becomes more
philosophical and continues to treat patients with even more empathy and
maturity.
The character of Anand was inspired by Raj
Kapoor, who used to call Mukherjee ………………" Babu Moshay ".
It is believed that Mukherjee wrote the film
when once Kapoor was seriously ill and Mukherjee thought that he may die. The
film was dedicated to Kapoor and the people of Mumbai. Later, Anand was
remade in Malayalam, with the
name Chitrashalabham, starring Jayaram and Biju
Menon.
Award That This Film Won - :
This film did win these AWARDS-:
Awards[edit]
·
1971: Best Feature Film in Hindi: Hrishikesh Mukherjee, N. C. Sippy
·
Best Singer : Mukesh
Chandra Mathur ( Kahin Dooor Jub Din Dhal Jaye) …….
·
·
1972: Best Film: Hrishikesh Mukherjee,
N.C. Sippy
·
1972: Best Actor: Rajesh Khanna
·
1972: Best
Supporting Actor: Amitabh Bachchan
·
1972: Best
Dialogue: Gulzar
·
1972: Best
Editing:
Hrishikesh Mukherjee
·
1972: Best Story: Hrishikesh Mukherjee
Box Office Record-:
Till then the OVERALL record of the collection from
the box office was accredited to the film PADOSAN . It had collected a whopping
amount of Rs 85 laks overall .
This film ANAND was the and has been the FIRST FILM in the annals of
the INDIAN FILM HISTORY to earn Rs 1.07 crores and cross the ONE CRORE mark in
tems of earning.
If the 2019 yardstick is applied to convert the
Rupee value of the seventies to the stage of 2019 et al …… then according to
the presnr market the earning now would be Rs 71crores .
Anand it is and it has been the FIRST ever film in
the annals of the Indian film industry to CROSS the CRORE mark in terms of earning from the box office.
Today this FILM celebrates it GOLDEN JUBILEE of the
release as this was released then on March 12th 1971 .
The SPECIAL ONE’S of that film and their whereabout-:
Let us fall back and feel the presence of those who
contributed to make this film a GREAT-SUCCESS .
Mr Hrishikesh Mukherjee is NOT alive today. THE “
HEART ” of this film Mr rajesh Khanna is no more amongst us. The whereabout of Sumita sanyal on whom that
song……
NAA JIYA JAYEE NAA , TERAY BINA, JEEEEYAA JAYE NAA,
NAA … is NOT known to me.
Mr Salil Chowdhury is no more with us. Johhny
Walker, Dara Singh, Ramesh Deo are no
more with us. I cannot fathom so surely to say the whereabout of Mrs Ramesh Deo
who acted in tjis film .
Mr Mukesh Chandra Mathur also is not alive. So is
the case of Mannada ie Mr Manna Dey. The man who sang that song in Bengali whom
Mr Mukesh followed to sing the one one Hindi. For that song Kahin Dooor Jab Din
Dhal Jaye and for whom the film was actually written and made, Kishoreda is not
amongst us……
STILL
THE “ ANAND ” THE JOY OF THOSE WHO WERE
ASSOCIATED IN THIS FILM REMAINS IN OUR HEART.
ANAND, A FILM THAT EMANCIPATED JOY THROUGH “ TEARS ”
Pic - : The Most Strongest Part Of This Film Which imparts " HEAVEN " Parting Dialogues
This is the ONLY film in the entire ANNAL and the
HISTORY of the Indian cinema where the peolle entered into the hall to see the
FILM and enjoy that in full steam.They would enter into the hall with LAUGHTER
as they had obtained the ticket from the ticket counter to watch and see this
film. GIGGLING and with a SMILE on their face they would enter the hall.
Pic - : One More Very Shaking Dialogue From The Film
“ EVERY INDIAN WHO SAW THIS FILM WOULD
COME OUT WITH THEIR TEARS IN THEIR EYE ……. FOR THAT WAS THE “ ANAND ” OF THE FILM ” .
They say and MANY " DONKEY" drop from this film industry who are NOTHING in terms of ACTING but BOAST so much because of the STINKS of the SHIT that the present TV world gives it to them , for having nothing with them, to keep them afloat, say that RAJESH KHANNA NEVER KNEW ACTING.
Just watch this movie ANAND , the TEARS that Rajesh Khanna brings to your eye, will JOYFULLY make you feel that RAJESH KHANNA WAS REALLY THE SUPER STAR AND THE " ONE " THAT THE FILM INDUSTRY OF INDIA PRODUCED
That is the JOY
that the FILM gave it
to them through the TEARS
March 10th 1971,andMarch 12th 1971 - ::The Two Dates That Made India The PALM " DATE "
March 10th 1971, India for the FIRST time had defeated the MIGHTY West-Indies at cricket at Port - of - Spain, and that gave the TWO , the " SG " ie , (S)unil Gavaskar and (G)undappa Vishvanath to Indian cricket and March 12th 1971, the film ANAND gave the two " AR " ie , (A)mitabh Bachchan and (R)ajesh Khanna the " ARABPATI RAJA " as they would call it , to the Indian cinema ..
That is what India got from cricket and from the film to add to her POOR kitty to swell her total at the bank.
It is and there is an adage and that is-:
" THE VICTORY DATE OF INDIAN CRICKET AT PORT-OF-SPIAN AND THE RELEASE DATE OF THE FILM ANAND ARE THE " DATE PALM " of the history of the dates of India ."
Well , that is it and That sums it all.
Regards and Thanks
Pics
Shyamal Bhattacharjee
Mr Shyamal Bhattacharjee, the author was born at West Chirimiri Colliery at District Surguja, Chattisgarh on July 6th 1959 He received his early education at Carmel Convent School Bishrampur and later at Christ Church Boys' Higher Secondary School at Jabalpur. He later joined Hislop College at Nagpur and completed his graduation in Science and he also added a degree in B A thereafter. He joined the HITAVADA, a leading dailies of Central India at Nagpur as a Sub-Editor ( Sports ) but gave up to complete his MBA in 1984 He thereafter added a Diploma In Export Management. He has authored THREE books namely Notable Quotes and Noble Thought published by Pustak Mahal in 2001 Indian Cricket : Faces That Changed It published by Manas Publications in 2009 and Essential Of Office Management published by NBCA, Kolkatta in 2012. He has a experience of about 35 years in Marketing .
This website is maintained , controlled and managed by OOK’S Technologies, by Mr Amook Vandan Yadav , Phone Number 8090848585 , Varanasi
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